transient matter
9+1 è un collettivo creativo con sede in Giappone, il cui obiettivo è quello di creare possibilità future per l'artigianato tradizionale. Per l'installazione di 9+1, in collaborazione con gli artigiani della regione di Takaoka in Giappone, sono stati esplorati i diversi aspetti dell'Urushi, un materiale tradizionale ampiamente utilizzato nella produzione artigianale in Giappone.
Il team di progettisti e creatori di 9+1 è composto di molteplici discipline: artigiani locali di Takaoka city, graphic designer, designer di prodotto, programmatori creativi e ingegneri.
CRAFTSCAPE
Designer : Youichi Sakamoto
Craftsman : Takaaki Yamamura
Traditionally, the reflective surface of the Urushi lacquer is described with the metaphor of water surface. This art piece brings this metaphor alive by shining a LED light on a reflective surface made of Urushi. By laser cutting a normally rigid Urushi, we created a flexible surface which is moved by motors. When the reflected light is shone on a wall, the contrast with the shadow brings life to a constantly changing landscape of light.
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CRAFTSCAPE 2
Designer : Youichi Sakamoto
Craftsman : Takaaki Yamamura
By painting Urushi, a type of lacquer, any rough texture of the wood metamorphoses into an abstract and highly reflective black smooth surface. This installation uses a spherical object coated with Urushi as a reflective surface for the light. The light source moves like a pendulum and creates images of a distorted space with time. The reflection is dynamic; a rectangle at one point, it changes into a spherical shape like that of the moon in the next moment.
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CRAFTPRISM
Designer : Yuko Sakamoto
Craftsman : Takaaki Yamamura
Urushi lacquer was used as a adhesive material. This led to Kintsugi, a technique which consists of repairing a broken object by using the Urushi as adhesive and outlining the line of fracture with gold powder. Kintsugi is more than a way of repairing an object and has a philosophical meaning to it.
In this art piece, a lense was cut into small pieces and put back again using the kintsugi technique to recreate the view. The Urushi is used to merge the pieces in a physical way as well as to recreate the landscape of the view.
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CRAFTEXTILE
Tailor : Taichiro Takamamatsu
The textile is made of a combination of silk and conductive copper thread, and colored using a traditional copper patinas coloring technique. Many color and texture can be created such as “Niiro”, “Dou-cho shoku”, “Syu-dou shoku”, “Ohauro”, “Yakiseidou”, “Mitsurou”, each of them being used as a traditional way of coloring flower pots and tea sets. This new type of textile allows us to apply the deep history of copper patinas coloring to textile.
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CRAFTMOVE
Designer : Nanami Nakamura
Craftsman : Takaaki Yamamura
Chyokoku-nuri is traditional Japanese craft technique which consist of applying Urushi lacquer on a sculpted wood. The smooth color of the Urushi emphasizes the beauty of the sculpted form, to result in a new artistic expression.
The deep black Urushi is traditionally made by mixing iron oxide with lacquer.
Because of the magnetic property of the iron oxide, the sculpted form has is own magnetic pattern. In this installation piece, we visualized this magnetic pattern that the craft has using magnetic sheets.
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CRAFTCIRCUIT
Designer : Youichi Sakamoto
Electronic circuits have an aesthetic which come from their functionality. Similarly, the simple aesthetic of traditional crafts also result from the making process and its function. In this product, we used the traditional material Urushi lacquer as an insulator and the gold leaf as a conductor to create an electronic circuit. The combination of these material works as a sensor for water lighting up a LED. The information about the water inside of the bowl is transferred into a digital information. This piece suggests a new possibility of combining digital technology with that of the traditional craft industry.
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